Simon Morsink Director of MORI - Interview for ORTHODOX ARTS FESTIVAL 2022

Simon Morsink is an art historian and icon expert, used to be the director of the Morsink Icon Gallery in Amsterdam, and has been recently appointed the new executive director of the Museum of Russian Icons IN USA.

The Museum of Russian Icons is a non-profit art museum located in Clinton, Massachusetts, United States. The collection includes more than 1,000 Russian icons and related artifacts, making it one of the largest private collections of Russian icons outside of Russia and the largest in North America.

HISTORY
In the 1960s, plastics engineer Gordon B. Lankton went to work at Nypro, an international injection molded plastics company, in Clinton, Massachusetts and eventually became president. In 1989, on a business trip to Russia, Mr. Lankton purchased his first icon at an open-air market. His collection quickly grew, and eventually gave birth to the idea of starting a museum. Mr. Lankton chose Clinton for the location to give back to the community that had supported him.
The Museum is housed in a 150-year-old former mill building. A contemporary, aluminum-clad addition to the mill building accommodating the South Gallery, Library and offices was completed in 2008. The adjacent 150-year-old former courthouse and police station with holding cells was acquired in 2010 and renovated to provide additional gallery space, a terrace with a green roof, a tea room, and performance facilities accommodating lectures and concerts. Three floors of galleries display the permanent collection. A dedicated gallery features special exhibitions ranging from contemporary Russian art to icons from other Orthodox cultures. It is the only museum in the USA dedicated to Russian icons, and the largest collection of icons outside of Russia.

MISSION
The Museum of Russian Icons inspires the appreciation and study of Russian culture by collecting and exhibiting icons and related objects; igniting the interest of national and international audiences; and offering interactive educational programs. The Museum serves as a leading center for research and scholarship through the Center for Icon Studies and other institutional collaborations.

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The Journal covers visual arts, music, liturgical ceremony and texts, and relevant art history and theory. The Journal presents these topics together to highlight the unified witness of the arts to the beauty of the Kingdom of God and to promulgate an understanding of how the arts work together in the worship of the Church. 
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